Eine Schicksalsgemeinschaft: Fünf Männer flüchten vor ihrer Einsamkeit in den öffentlichen Schlafsaal.
Films 2014
Qashqai Female Voices – Films & Discussion
The “Qashqai Female Voices” project, initiated and curated by ethnomusicologist Yalda Yazdani, takes a new look at the rich but marginalized culture of Qashqai women in southwest Iran in a series of events – so far at the Rautenstrauch-Joest-Museum.
Spring 2014
Dokumentarfilme von Pirouz Kalantari
Pirouz Kalantari (*1953 in Teheran) gehört seit Jahrzehnten zu den wichtigsten iranischen Dokumentarfilmern; zuletzt entstanden „Kahrizak, Four Views“ (zusammen mit Rakhshan Bani-Etemad, Mohsen Amiryusefi und Bahman Kiarostami) sowie „If There Were Not the Aged-People“ (beide 2012).
Here without me
Tennessee Williams’ „Die Glasmenagerie“ im Iran: Die alleinerziehende Farideh sorgt immer noch für ihre erwachsenen Kinder, die den Lebensalltag nicht meistern können: die gehbehinderte Yalda träumt inmitten ihrer Sammlung aus Glasfigürchen, der Bruder Ehsan verbringt sein Leben im Kino. Dann taucht Reza auf…
The Lady with Flower-Hair
The Lady with Flower-Hair is a woman of forty, on whose hair have grown a set of carnations. She was different even from childhood. She now lives alone. She is preoccupied with the flowers on her hair but the co-existence of two beings with absolutely nothing in common is bound to cause discomfort for one of them.
Unwelcome in Tehran
Mina, the director, is a girl from Shiraz who gets married in order to move to Tehran. Influenced by her own life, she decides to make a documentary about the girls nationwide who, like Azar, move to Tehran (the capital) to start an independent life away from their families’ watchful eyes and restrictions.