Rusbeh traces his father during a trip to Prague – a former communist who fled to what was then Czechoslovakia in the 1950s and worked there as an orientalist and translator. Conversations with old comrades, librarians, and waitresses lead him to doubt the family story, but one trail leads to Valdimir, who has fallen out of a window while in a coma.
Rascht, situated on the Caspian Sea, differs from other parts of the country in terms of climate, architecture and way of life. Here, the self-taught women Leila and Sedigheh dream of having their own carpentry workshop – this is a man’s job and is neither socially desirable nor is there even a licence for women.
Sarah is drowning in old memories after the separation from her husband and seems to be falling behind in her personal development – but perhaps it is the beginning of a healing process of detachment. Toghiri’s second film tells the story of the failure of a great love from the retrospective of the most beautiful, most painful, most significant stages, in his very own style.
Maryam learns that her son, thought lost, is still alive. He was raised by a notorious showman and vaudeville performer. With a group of acrobats and outsiders, the young woman sets out on a search and encounters charlatans, mischief-makers and shamans along the way.
Pegah remembers Gholam, a close friend of her family who suddenly disappeared in 1988, leaving a void.
br>The Kurdish Kulbar haul goods and loads over rocky, steep mountain paths of the Iranian border. Snowstorms and border police are their enemies.